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style='font-size:14.0pt;color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><o:p>&nbsp;</o:p></span></b></p> <p class=MsoNormal align=center style='text-align:center'><b><span lang=EN-US style='font-size:13.5pt;font-family:"Arial","sans-serif";color:#17365D; mso-themecolor:text2;mso-themeshade:191'>-<span class=SpellE>Constantin</span> TEODORESCU-</span></b><b><span lang=RO style='font-size:14.0pt;color:#17365D; mso-themecolor:text2;mso-themeshade:191;mso-ansi-language:RO'><o:p></o:p></span></b></p> <p class=MsoNormal><span lang=RO style='color:#17365D;mso-themecolor:text2; mso-themeshade:191;mso-ansi-language:RO'><o:p>&nbsp;</o:p></span></p> <img style="max-width:95%;border:3px solid white;" src="images/Teodorescu1004.jpg", width=250, height=271 border="0" align="left" alt="Prof. Constantin TEODORESCU"> <p class=MsoNormal style='text-align:justify'><span lang=RO style='color:#17365D; mso-themecolor:text2;mso-themeshade:191;mso-ansi-language:RO'><span style='mso-tab-count:1'> </span></span><span lang=RO style='font-family:"Arial","sans-serif";color:#17365D;mso-themecolor:text2; mso-themeshade:191;mso-ansi-language:RO'>Poezia este har &#351;i vine din sufletul existent ntr-o limb&#259;. Pentru poetul Ion Georgescu Muscel s-a ntmplat minunea na&#351;terii n limba romn&#259;. Ultimul s&#259;u volum de poezie &#351;i pictur&#259; atrage semnificativ aten&#355;ia chiar prin titlul plin de sinceritate: REZERVE DE TANDRE&#354;E, rezerve suflete&#351;ti &#351;i spirituale.<o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><span style='mso-tab-count:1'> </span> Profilul poetului , n mi&#351;care, se afl&#259; ntr-o  aventur&#259; liric&#259; , o c&#259;l&#259;torie  cu uimire deplin&#259; spre  toate imaginile pierdute ale somnului , deoarece  am uitat c&#259; uitasem, am visat c&#259; visasem , dup&#259; cum m&#259;rturise&#351;te, mpov&#259;rat de ani, n prima poezie a c&#259;r&#355;ii:  grul mai are un pic de culoare n el; aerul  poezie ... <o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><span style='mso-tab-count:1'> </span>Cnd totul se ndreapt&#259; spre efemer sub presiunea relativiz&#259;rii valorilor, poetul se gnde&#351;te la necesitatea poeziei, care  este parfumul existen&#355;ei umane, care-l nconjoar&#259; pe individ cu o aur&#259; de curaj &#351;i ncntare n lupta pentru existen&#355;&#259; &#351;i-l &#355;ine la dep&#259;rtare de t&#259;rmul disper&#259;rii .<o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><span style='mso-tab-count:1'> </span>Simplitatea versului, uneori de tip avangardist, e o capcan&#259; n care se prinde cititorul, pentru c&#259; fiecare  ntors&#259;tur&#259; de condei cuprinde n&#355;elepciune, n&#355;elesuri nea&#351;teptate &#351;i simboluri:  Dealul Ghilanului iese din coast&#259; / ca un soldat la raport; / din cre&#351;tetul lui vezi Rpa Malului / ca o marf&#259; r&#259;mas&#259; nevndut&#259;; / cove&#355;i blnde, nierbate pe culme: / tran&#351;eele din nou&#259; sute &#351;ai&#351;pe ... / un susur de istorie trece prin mine - /uimitul copil de la coada vacii ... /f&#259;r&#259; vreo treab&#259; e musai s&#259; urc / piepti&#351;ul Ghilan, precum a&#351; stmp&#259;ra /o sete de mine nsumi ... (Descriere, p. 21).<o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><span style='mso-tab-count:1'> </span>Voluptatea cuvntului &#351;i voluptatea culorii, modalit&#259;&#355;i de crea&#355;ie, produc rev&#259;rsare sufleteasc&#259;:  O, voi maci nebuni, cum da&#355;i n&#259;val&#259; / dup-un tren abia pornit din gar&#259;! /Ce vijelii de dor v-au scos din lan / &#351;i a&#355;i venit ntre traverse cu catran? / P&#259;re&#355;i mirese fugind n zadar / dup&#259; miri ce le-au p&#259;r&#259;sit la altar ... (Maci pe calea ferat&#259;, p.36). Viziunea liric&#259; &#351;i imaginea plastic&#259; se sprijin&#259; reciproc. Unele elemente ale poeziei vin dinspre pictur&#259; iar tablourile revars&#259; nc&#259;rc&#259;tur&#259; liric&#259; ( Talpa &#355;&#259;rii, tablou &#351;i poezie, p. 102, respectiv, p. 69), din memoria unei existen&#355;e mplinite prin estetica expresiei. n fiecare grupaj de tablouri, se recunoa&#351;te o pictur&#259; metafizic&#259;. Prin culoare, prin perspectivele construc&#355;iei (poate, mai precis, compozi&#355;iei), privirea este orientat&#259; spre tainele lumii. Artistul p&#259;trunde n spiritul uman, n realitatea obiectiv&#259; &#351;i, pe aceast&#259; baz&#259;, transfigureaz&#259; st&#259;rile sale suflete&#351;ti, opernd cu obiecte simbolice, cu forme geometrice stilizate arhetipal. Astfel se ajunge la sacralitatea realit&#259;&#355;ii (tablourile Valoarea vie&#355;ii, p. 110, Nostalgiile luminii, p. 135). <o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><span style='mso-tab-count:1'> </span>Recuperarea relevant&#259; a imaginilor pierdute n con&#351;tiin&#355;&#259; dovede&#351;te cum se poate st&#259;pni natura emo&#355;ional&#259; prin poezie &#351;i pictur&#259;:  a&#351;a de viu e ro&#351;ul din ramul ce &#355;&#351;ne&#351;te / din verdele coroanei, c&#259;-n mn&#259; de l-ai strnge, / ( ia seama mai departe &#351;i te dumire&#351;te), /mai-mai c&#259; ar putea s&#259; curg&#259; snge ... //cad pagini mai apoi ca-ntr-o tipografie - / voi r&#259;sfoi, cu timpul, atta poezie, / ca frunzele presate de ar&#355;ar (Octombrie, p.49). Totul se petrece n metafizica transform&#259;rii existen&#355;ei n duhul ocrotitor al poeziei. Rezervele de tandre&#355;e r&#259;mn inepuizabile: C&#259; ai n degete atingeri de m&#259;t&#259;suri / &#351;i te v&#259;d alergnd printr-un aer color / amestecat cu p&#259;s&#259;ri / este menirea mea s&#259; te-nve&#351;mnt / n nemairostite fraze aici pe p&#259;mnt... /Oh! Necheltuite mngieri de pn&#259; mai ieri! / F&#259;r&#259; tine, cea h&#259;r&#259;zit&#259; de Cer, / orice gest poate s&#259; fie o gaf&#259; / mi-e sufletul punte de lungi a&#351;tept&#259;ri / ntre triste&#355;ea celui ce pierde / &#351;i bucuria celui ce afl&#259;... (Rezerve de tandre&#355;e, p. 63). <o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify;text-indent:36.0pt'><span lang=RO style='font-family:"Arial","sans-serif";color:#17365D;mso-themecolor:text2; mso-themeshade:191;mso-ansi-language:RO'><span style='mso-spacerun:yes'></span> Singur&#259;tatea n doi , cum se spune despre perechea uman&#259;, se rupe prin legile firii, ajunge povar&#259; nostalgic&#259; pentru cel care supravie&#355;uie&#351;te, purtnd mai departe via&#355;a:  A&#351;a de ieftin&#259; n ochii lumii / o salcie crescut&#259; de la sine / noi amndoi ai nim&#259;nui / averea mea  te-aveam pe tine / &#351;i se frigea o lun&#259; / pe cer deasupra Tisei  era o lini&#351;te - / mb&#259;tat&#259; / de tri&#351;ul apei nedecise... (Nostalgii, p.47).<o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify;text-indent:36.0pt'><span lang=RO style='font-family:"Arial","sans-serif";color:#17365D;mso-themecolor:text2; mso-themeshade:191;mso-ansi-language:RO'>Eul liric trece prin registre lirice diferite. Se reg&#259;se&#351;te n elegia lucid&#259; (Constat&#259;ri, p. 16) sau se extaziaz&#259; pn&#259; la vis: Ce dealuri! / Ce dealuri Are, iubito, S&#259;lajul!<span style='mso-spacerun:yes'> </span>/ Ai zice c&#259; urc&#259; la cer n ample volute - / Sunt dealuri cu apuc&#259;turi de munte... / Ce prim&#259;veri sonore cuprinde-n p&#259;duri! / S&#259; ne fi n&#259;scut aici, s&#259; fi copil&#259;rit / Departe suferin&#355;a! &#350;i n-ai mai fi murit... (Dealurile S&#259;lajului, p. 20). Entuziasmul nu love&#351;te obiectivitatea, ci amplific&#259; durerea.<o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify;text-indent:36.0pt'><span lang=RO style='font-family:"Arial","sans-serif";color:#17365D;mso-themecolor:text2; mso-themeshade:191;mso-ansi-language:RO'> Pe gnduri ( p. 52) este un colind sufletesc departe de &#355;ar&#259;:  Lerui-ler / ninge peste Baden, / ninge peste Kitchener ... /e-o iarn&#259; ca-n pove&#351;tile cu iarn&#259; - / z&#259;pada  coal&#259; alb&#259;, m&#259;-ndeamn&#259; la vis&#259;ri; / mi-alunec&#259; prin minte / cele mai dragi chipuri... / s&#259;ge&#355;i nfipte n obloane de ferestre, / genele mele se a&#355;in / la o imagine ce se scurge / ca apa-n nisipuri... Fascina&#355;ia realului, dincolo de melancolie, descoper&#259; spiritul vremii, o experien&#355;&#259; amara:  Genunchiul boului nainteaz&#259; melodios / prin lumina amiezii, /&#355;&#259;ranul, al&#259;turi, p&#259;&#351;ind gnditor / la rostul vie&#355;ii, la greul din &#355;ar&#259;, / la cum va intra gunoiul de grajd / n mustul z&#259;pezii ... (...) Miroase n lume ars, a r&#259;zvr&#259;tire - / prea f&#259;r&#259; sudoare se-mbuib&#259; azi unii, / mniind pe St&#259;pnul omului &#351;i-al gliei - / peste vreme &#351;i mall-urile vor deveni / doar amintire... (Talpa &#355;&#259;rii, p. 69).<o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify;text-indent:36.0pt'><span lang=RO style='font-family:"Arial","sans-serif";color:#17365D;mso-themecolor:text2; mso-themeshade:191;mso-ansi-language:RO'>Poetul tr&#259;ie&#351;te durerea lucid-sentimental: M&#259; sf&#351;ie t&#259;cerea casei dintre spini, / pe cine-n ajutor s&#259; mai chem acum? / Veni&#355;i, prunci, de undeva &#351;i v&#259; juca&#355;i n ulicioar&#259;, / doar de-a prinde zmbet fereastra de la drum! ( (Satul p&#259;r&#259;sit, p. 65) sau cu autoironie: Se mi&#351;c&#259; asincron coroane de copaci, / cum se-ntretaie trenuri ntr-o gar&#259;... / O scumpa mea, ce cald e-n amintire! / O, draga mea, ce frig este afar&#259;! ( Ironie, p. 31).<o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify;text-indent:36.0pt'><span lang=RO style='font-family:"Arial","sans-serif";color:#17365D;mso-themecolor:text2; mso-themeshade:191;mso-ansi-language:RO'>Ludicul apare ca dimensiune fundamental&#259; a vie&#355;ii (Nepo&#355;ica, p. 45) &#351;i poezia ia forma confesiunii (Confesiune, p. 15), n timp ce prozaismul afi&#351;at urm&#259;re&#351;te impactul imagina&#355;iei asupra metaforei (Mirajul ninsorii, p. 44).<span style='mso-spacerun:yes'> </span><o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><span style='mso-tab-count:1'> </span>Fixat&#259; n limbajul crea&#355;iei, experien&#355;a de via&#355;&#259; se manifest&#259; n starea de credin&#355;&#259;. Via&#355;a nu a&#351;teapt&#259; confirmarea istoric&#259;, experien&#355;a de via&#355;&#259; se manifest&#259; sub semnul adev&#259;rului absolut sim&#355;it productiv &#351;i validat n tr&#259;irea credin&#355;ei. Ion Georgescu Muscel se revendic&#259; ntre poe&#355;ii cre&#351;tini:  O, Dumnezeul meu &#351;i a toat&#259; zidirea! / am nc&#259; de-nv&#259;&#355;at t&#259;rie &#351;i curaj, / de lep&#259;dat mndrie, nes&#259;buin&#355;i &#351;i-attea ... / nebun de iubire &#351;i de frumos, / p&#259;truns de iertare pn&#259; la os ... (Caracterul, p. 13). <span style='mso-spacerun:yes'></span>Imaginarul poetic vine din subiectivitatea credin&#355;ei ca sentiment &#351;i din ra&#355;iunea accept&#259;rii ei ca necesitate interioar&#259;. Credin&#355;a apare ca realitate personal&#259; ce ofer&#259; siguran&#355;&#259;. Astfel poezia sa cre&#351;tin&#259; nu e de concep&#355;ie, e convingere. <o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><span style='mso-spacerun:yes'></span><span style='mso-tab-count:1'> </span>Sensurile esen&#355;iale ale liricii religioase din crea&#355;ia lui Ioan Georgescu Muscel au ca numitor comun starea de credin&#355;&#259;. Prin cuvntul poeziei se tr&#259;ie&#351;te credin&#355;a &#351;i are loc restaurarea con&#351;tiin&#355;ei.<o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><span style='mso-tab-count:1'> </span>N&#259;zuin&#355;a spre absolut face parte din dorin&#355;a des&#259;vr&#351;irii fiin&#355;ei noastre, ceea ce nu se poate n lipsa chipului lui Dumnezeu.  Chipul nemuritor al lui Dumnezeu (D. St&#259;niloae) plaseaz&#259; fiin&#355;a pe o dimensiune<span style='mso-spacerun:yes'> </span>caracteristic&#259;.<o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><span style='mso-tab-count:1'> </span>Realizarea fic&#355;iunii ilustreaz&#259; menirea poetului &#351;i produce un sens. Faptul care genereaz&#259; mesajul are valoare simbolic&#259;.  Flexibilitatea postmodern&#259; (D.Hervey) din c&#259;utarea de sine prin repere clare, sigure se nscrie n tradi&#355;ia poeziei moderne romne&#351;ti. Poetul m&#259; convinge c&#259; lumea poate fi cunoscut&#259; prin cuvnt &#351;i culoare, prin art&#259;.<o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><o:p>&nbsp;</o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><span style='mso-spacerun:yes'></span><o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><span style='mso-tab-count:1'> </span></span><span lang=RO style='font-size:11.0pt;font-family:"Arial","sans-serif";color:#17365D; mso-themecolor:text2;mso-themeshade:191;mso-ansi-language:RO'>Georgescu Muscel, Ion, Rezerve de tandre&#355;e  poezie &#351;i pictur&#259; - , Baia Mare, Editura Eurotip, 2017. <o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-size: 11.0pt;font-family:"Arial","sans-serif";color:#17365D;mso-themecolor:text2; mso-themeshade:191;mso-ansi-language:RO'><span style='mso-tab-count:1'> </span>Ibidem, Aeroport prietenos, p. 10. n continuare vom nota titlul poemului &#351;i pagina.<o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-size: 11.0pt;font-family:"Arial","sans-serif";color:#17365D;mso-themecolor:text2; mso-themeshade:191;mso-ansi-language:RO'><span style='mso-tab-count:1'> </span>Ibidem, Not&#259; de autor, p. 7<o:p></o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-size: 11.0pt;font-family:"Arial","sans-serif";color:#17365D;mso-themecolor:text2; mso-themeshade:191;mso-ansi-language:RO'><o:p>&nbsp;</o:p></span></p> <p class=MsoNormal style='text-align:justify'><span lang=RO style='font-family: "Arial","sans-serif";color:#17365D;mso-themecolor:text2;mso-themeshade:191; mso-ansi-language:RO'><span style='mso-spacerun:yes'> </span></span><span style='font-family:"Arial","sans-serif";color:#17365D;mso-themecolor:text2; mso-themeshade:191;mso-ansi-language:EN-CA'><o:p></o:p></span></p> </div> <center> <FORM ACTION="../cgi-bin/mycgi.pl" NAME="myform"> <BUTTON NAME="go" TYPE="input" onclick="origina()" ><STRONG>Home</STRONG></BUTTON> </FORM> <script language=javascript> function origina() { parent.location.href="index.html" } </script> <SCRIPT TYPE="text/javascript"> function blinker() { if (document.forms.myform.go.style.color == 'blue') document.forms.myform.go.style.color='red'; else document.forms.myform.go.style.color='blue'; setTimeout('blinker()',500); } blinker() </SCRIPT> <tr><td align= "center"><font face="arial" size ="2" color="#191970">ALTERNATIVA / THE ALTERNATIVE / L'ALTERNATIVE - Politica, cultura, stiri, publicitate </center> </td></tr></table> </body> </html>